Baila Goldenthal : Resume |
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BIRTHPLACE EDUCATION |
1925 1979-80 1974 1972 1971-72 1970 1967 1966 1966 1946 1945-46 1944-45 1943-44 |
Hartford, Connecticut Kabbalah; University of Judaism, Los Angeles, CA Leaded and Stained Glass; Chaffey College, Alta Loma, CA Printmaking (private study); Los Angeles, CA Sanskrit: Pandit Ramasurbramaniamsastry; Madras, India Filmmaking; U.C.L.A. Casting in Bronze (lost wax process); U.C.L.A. Sculpture in Plastics; U.C.L.A. Ceramics; El Camino College, Torrance, CA Hans Hofmann (private study); New York City, NY New School for Social Research; New York City, NY Morris Kantor; The Art Students League; New York City, NY University of New Hampshire, Durham, NH |
SOLO EXHIBITIONS (Selected) |
2009 2002 1998 1989 1984 1983 1982 1980 1975 |
USC Hillel Art Gallery, Los Angeles, CA L.A. Art Core Brewery, Los Angeles, CA Marjorie & Herman Platt Gallery, University of Judaism, Los Angeles, CA Riverside Art Museum, Riverside, CA Senior Eye Art Gallery (Invitational), Long Beach, CA Platt Collection, Pacific Design Center, Los Angeles, CA Brand Library Art Gallery, Glendale, CA University of Judaism, Los Angeles, CA Woman’s Building, Los Angeles, CA |
GROUP EXHIBITIONS (Selected) |
2012 2011 2009 2008 2007 1996 1995 1992 1988 1987 1986 1985 1985 1984 1983 1982 1981 1980 1980 1979 1974 1966 1963 |
40/40 Exhibition, USC Hillel, Los Angeles, CA Pacific Standard Time, American Jewish University, Los Angeles, CA Zimmer Children's Museum, “show&tell: the Art of Language”, Los Angeles, CA Aldridge Museum of Contemporary Art, Ridgefield, CT DePaul University Museum, “Permanent Collection”, Chicago, IL Downey Museum of Art, Downey, CA Aldrich Museum of Contemporary Art, Ridgefield, CT Merging One Gallery, Santa Monica, CA Westwood Savings and Loan, Los Angeles, CA Senior Eye Art Gallery (Invitational), Long Beach, CA Crystal Court (South Coast Plaza Invitational), Curator: Mary Shee, Costa Mesa, CA Loyola Law School, “The Spiritual Eye” (Invitational), Curator: Ellie Blankfort, Los Angeles, CA “Off the Street” (Invitational), Curator: Fritz A. Frauchiger, Los Angeles, CA Skirball Museum (Invitational), Curator: Nancy Berman, Los Angeles, CA Los Angeles County Museum of Art, “Expose V” (Invitational), Los Angeles, CA Los Angeles County Museum of Art, “Expose IV” (Invitational), Los Angeles, CA Los Angeles County Museum of Art, “Extra Space” (Invitational), Los Angeles, CA Los Angeles County Museum of Art, “Extra Space” (Invitational), Los Angeles, CA California Museum of Science and Industry, Loker Discovery Gallery, Los Angeles, CA Pacific Design Center, “Pacific Design Awards” (Invitational), Los Angeles, CA Woman’s Building, Los Angeles, CA El Camino College, “Studies in Clay”; Torrance, CA Otto Seligman Gallery, “Pacific Coast Painters”, Seattle, WA |
AWARDS | 1979 | “Pacific Design Awards”: Award (Special Invitation Category), Los Angeles, CA |
COLLECTIONS | Long Beach Museum of Art, Long Beach, CA DePaul University Museum, Chicago, IL MatchFrame, Burbank, CA Ace Metals, San Francisco, CA Columbia Pictures, Hollywood, CA Brentwood Bank, Los Angeles, CA Creative Enterprises, Inc., Los Angeles, CA Charles Pollyea and Associates, Los Angeles, CA Darius Showghi, Architectural Design, Upland, CA |
PUBLICATIONS | 2013 2010 2006 2004 2001 1986 |
Nuclear Abolition Forum: Moving Beyond Nuclear Deterrence to a Nuclear Weapons Free World Cover, Baila Goldenthal TheAmericanMuseum.org - February edition Featured artwork and cover photo of painting: The End is the Beginning The Weavers by Maurya Simon, Blackbird Press, Upland, CA Cover and Paintings, Baila Goldenthal Ghost Orchid by Maurya Simon, Red Hen Press Cover, Baila Goldenthal The Common Fire by Shelley Savren, Red Hen Press Cover, Baila Goldenthal Nightwatch by Barbara Goldberg, Keshev Press (Israel) Cover, Baila Goldenthal from the Weavers series Days of Awe by Maurya Simon, Copper Canyon Press, Port Townsend, WA Cover, “Gold Leaf Series #3”, Baila Goldenthal The Enchanted Room by Maurya Simon, Copper Canyon Press, Port Townsend, WA Frontispiece and Cover Painting: “Inversions”, Baila Goldenthal |
TELEVISION | 1985-86 1984 1984 |
“Maclver” (television production), paintings from the “Urban Wall Series,” Hollywood, CA “The Olympian Spirit” (TV review), Channel 34, Los Angeles, CA Arts Program, “Gallery” (exhibition and interview), Channel 11, Los Angeles, CA |
BIBLIOGRAPHY | 2008 1998, May 28 1995 1995, June 11 1985 1984 1983 1982, April 1980, April 1980, November 1980 1979 |
20th Century Design & Fine Art Auction, Catalog, LAMA: Los Angeles Modern Auctions Los Angeles Times, Review, Photo, Josef Woodard Inside Out, Catalog, Photo, Essay, Douglass F. Maxwell Aldrich Museum of Art, Ridgefield, NJ The New York Times, Review (Pg. 22), Vivian Raynor Off the Street, Catalog, Fritz A. Frauchiger Long Beach Press-Telegram, Review, Shirle Gotlieb Olympics Arts Festival, Catalog, Photo, Review, Betje Howle Artweek, Review, Linda Jacobson Home Magazine, LA Times, Photo, Los Angeles, CA Artweek, Review, Linda Jacobson Poetics of Space, Catalog, Review, Barry Sanders Design West, Pacific Design Center, Catalog, Los Angeles, CA |
LIBRARY COLLECTIONS | 2006 2006 |
Getty Museum Library, Los Angeles, CA; The Weavers, Blackbird Press, Upland, CA Paintings by Baila Goldenthal Poetry by Maurya Simon The National Museum for Women in the Arts Library and Research Center (rare books), Washington, DC The Weavers, Blackbird Press, Upland, CA Paintings by Baila Goldenthal Poetry by Maurya Simon |
PRESENTATIONS | 2009 2007 2006 1984 |
Long Beach Museum of Art, Long Beach, CA Claremont Colleges, Claremont, CA “The Weavers”, (paintings from the series); Scripps College, Claremont, CA “Speakers Series”; Pitzer College, Claremont, CA |
SPECIAL PROJECTS | 2000 | NASA, Designed Logo for 'Argus in Space'; Argus Lab, NASA Ames Research Center, Moffett Field, CA Download a Word document of Baila Goldenthal's resume |